PHOTOTECHNE INTERNATIONAL

'Proto-aesthetic apparatus and the post-deconstructive space. The recontextual proliferation of semiotics and simulacra after the deconstruction of syntax and analytic aesthetics through processes of commodification.' The images are a collaborative project of the inter-textuality of photography, a politico-economic institution, simulacra in the Corporeal Information Age, and a counter post-data through the index of the image, the nexus between the end of history and progressive aestheticization.

Thursday 19 June 2014

CarreraJ_PicassoP_PrinceR #/∞ Metafractal Appropriation Ø12 LDN 2014

THE NEW YORK TIMES
Court Rules in Artist’s Favor by Randy Kennedy
Published: 25 April 2013
http://www.nytimes.com/2013/04/26/arts/design/appeals-court-ruling-favors-richard-prince-in-copyright-case.html?_r=0

THE NEW YORKER
Who owns this image? Posted by Ben Mauk
14 February 2014
http://www.newyorker.com/online/blogs/currency/2014/02/who-owns-this-image.html?mobify=0

Artspace
How Does Richard Prince's Notorious "Canal Zone" Look 6 Years Later? Like Freedom by Walter Robinson
22 May 2014
http://www.artspace.com/magazine/contributors/walter_robinson_on_canal_zone

http://www.americansuburbx.com/2014/05/richard-prince-the-canal-zone-paintings/

http://instagram.com/p/n8nP3Owc87/

RICHARD PRINCE: Canal Zone at Gagosian Madison Av…: http://youtu.be/guYeLc4RrlY

The Shock of the New - Ep 1 - The Mechanical Par…: http://youtu.be/J3ne7Udaetg

GOOGLE
http://www.google.co.uk/search?q=demoiselle+d'avignon&source=lnms&tbm=isch&sa=X&ei=IUgpVJH5AobQygPtlYGgDQ&ved=0CAYQ_AUoAQ&biw=458&bih=749&dpr=1.5

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