PHOTOTECHNE INTERNATIONAL

'Proto-aesthetic apparatus and the post-deconstructive space. The recontextual proliferation of semiotics and simulacra after the deconstruction of syntax and analytic aesthetics through processes of commodification.' The images are a collaborative project of the inter-textuality of photography, a politico-economic institution, simulacra in the Corporeal Information Age, and a counter post-data through the index of the image, the nexus between the end of history and progressive aestheticization.

Friday 7 March 2014

CarreraJ_DebordG_ShermanC #/∞ Metafractal Appropriation Diptych Ø1 LDN 2014

Codex is the title of an exhibition-manifesto conceived by Pierre Leguillon during a residency in San Francisco.
Cindy Sherman, Untitled Film Still No.13, 1978. Courtesy of the Artist and Metro Pictures, NY.
http://www.wattis.org/exhibitions/codex/

Guy Debord. La société du spectacle.
Trans. Donald Nicholson-Smith.
Publisher Buchet-Chastel (Original French); Zone Books (English Translation)
Publication date,1967.

PHOTOTECHNE INTERNATIONAL

Friday 7 March 2014

CarreraJ_DebordG_ShermanC #/∞ Metafractal Appropriation Diptych Ø1 LDN 2014

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