PHOTOTECHNE INTERNATIONAL

'Proto-aesthetic apparatus and the post-deconstructive space. The recontextual proliferation of semiotics and simulacra after the deconstruction of syntax and analytic aesthetics through processes of commodification.' The images are a collaborative project of the inter-textuality of photography, a politico-economic institution, simulacra in the Corporeal Information Age, and a counter post-data through the index of the image, the nexus between the end of history and progressive aestheticization.

Friday, 7 March 2014

BuñuelL_CarreraJ_CoutinhoFF_DeneuveC_ DuchampM_KesselJ #/∞Metafractal Appropriation Ø1 LDN 2014

Marcel Duchamp, Interior view of Etant donnés: 1° la chute d’eau / 2° le gaz d’éclairage (Given: 1. The Waterfall /2. The Illuminating Gas), 1946-1966
© 2000 Succession Marcel Duchamp ARS, N.Y./ADAGP, Paris.

Belle de Jour: a look at how Buñuel influenced Mexican and French cinema.
Filipe F. Coutinho.
http://www.cinemaismylife.com/2012/03/belle-de-jour-look-on-how-bunuel.html/

PHOTOTECHNE INTERNATIONAL

Friday, 7 March 2014

BuñuelL_CarreraJ_CoutinhoFF_DeneuveC_ DuchampM_KesselJ #/∞Metafractal Appropriation Ø1 LDN 2014

No comments:

Post a Comment