Banksy_CarreraJ_KoonsJ_VictoiredeSamothrace #/∞Metafractal Appropriation Ø7 LDN 2014

Casino Mogul Steve Wynn bet big on Jeff Koons’s Popeye at Sotheby’s (2009-2011) last month, paying $28.2 million.
© 2014 Jeff Koons.
http://news.artnet.com/market/charting-jeff-koonss-sky-high-market-39445/

Mary M. Lane (@MaryLaneWSJ) tweeted at 4:35 PM on Mon, Jun 30, 2014:
"I need someone to protect me from all the measures they take to protect me" Banksy statue with CCTV @phillipsauction http://t.co/0sOa7har4S

Le Scribe accroupi (@scribeaccroupi) tweeted at 5:56 PM on Tue, Jul 08, 2014:
La Victoire de Samothrace a retrouvé sa place ce mardi. Elle sera dévoilée au public le 12/7
http://t.co/6W4mhSo5ME
http://t.co/xyHW42lMVU

Le Scribe accroupi (@scribeaccroupi) tweeted at 6:26 PM on Tue, Jul 08, 2014:
Du haut de son grand escalier, la Victoire vous contemple @20Minutes
http://t.co/WFWNa6nK7r
http://t.co/5nOhc1LUF6

Juliette Trey (@JulTrey) tweeted at 4:14 PM on Tue, Jul 08, 2014:
La Victoire de Samothrace se fait belle pour ses retrouvailles demain avec le public @MuseeLouvre #jourdefermeture
http://t.co/fP3Q3cTUNl

CarreraJ_KoonsJ_Minotaur1AD #/∞Metafractal Appropriation Ø6 LDN 2014

Casino Mogul Steve Wynn bet big on Jeff Koons’s Popeye at Sotheby’s (2009-2011) last month, paying $28.2 million.
© 2014 Jeff Koons.
http://news.artnet.com/market/charting-jeff-koonss-sky-high-market-39445

http://cartoonbrew.com/fine-art/did-jeff-koons-just-make-28-million-by-plagiarizing-a-dark-horse-popeye-toy-99475.html

Marble statue of a Minotaur, part of a group with Theseus, 1st century AD,
found in Rome in Via San Tommaso in Parione in 1895, Monsters. Fantastic Creatures of Fear and Myth Exhibition, Palazzo Massimo, Rome.
http://followinghadrian.com/2014/03/05/monsters-and-mythical-creatures-invade-rome-photos/

https://twitter.com/MaxBernardini/status/479903592091250688

CarreraJ_PicassoP_PrinceR #/∞ Metafractal Appropriation Ø12 LDN 2014

THE NEW YORK TIMES
Court Rules in Artist’s Favor by Randy Kennedy
Published: 25 April 2013
http://www.nytimes.com/2013/04/26/arts/design/appeals-court-ruling-favors-richard-prince-in-copyright-case.html?_r=0

THE NEW YORKER
Who owns this image? Posted by Ben Mauk
14 February 2014
http://www.newyorker.com/online/blogs/currency/2014/02/who-owns-this-image.html?mobify=0

Artspace
How Does Richard Prince's Notorious "Canal Zone" Look 6 Years Later? Like Freedom by Walter Robinson
22 May 2014
http://www.artspace.com/magazine/contributors/walter_robinson_on_canal_zone

http://www.americansuburbx.com/2014/05/richard-prince-the-canal-zone-paintings/

http://instagram.com/p/n8nP3Owc87/

RICHARD PRINCE: Canal Zone at Gagosian Madison Av…: http://youtu.be/guYeLc4RrlY

The Shock of the New - Ep  1 - The Mechanical Par…: http://youtu.be/J3ne7Udaetg

GOOGLE
http://www.google.co.uk/search?q=demoiselle+d'avignon&source=lnms&tbm=isch&sa=X&ei=IUgpVJH5AobQygPtlYGgDQ&ved=0CAYQ_AUoAQ&biw=458&bih=749&dpr=1.5

Archizoom_ BalanIL_CarreraJ #/∞Metafractal Appropriation Ø6 LDN 2014

Archizoom, Condominium for Historic Center, 1969.
http://archiveofaffinities.tumblr.com/tagged/archizoom/

‘a church without god’ is a project by mexican architect israel lopez balan that envisions a series of juxtaposing images within new york city.
https://www.designboom.com/architecture/israel-lopez-balan-visualizes-church-god-new-york-city-05-05-2014/

CarreraJ_HirstD_KoonsJ_MuñozJ #/∞Metafractal Appropriation Ø6 LDN 2014

@notnotawesome
3 days ago
Bitch stole my look! #koons #hirst #bitchfight #scratch #claw #betterthaneither #missingteeth
http://instagram.com/p/pM4EW6IA7f/

Manuel Revilla (@ManuelRevilla57) tweeted at 11:12 PM on Sat, Jun 14, 2014:
Y sigo insistiendo en JUAN MUÑOZ y sus personajes sonrientes que inundaron la @Tate y el @museoreinasofia #art
http://t.co/LPt0Kbe5Z3

CarreraJ_ PrinceR_WarholA #/∞ Metafractal Appropriation Ø5 LDN 2014

artobserved #AndyWarhol's 'Little Electric Chair,' Lot 20, to auction tonight at @christiesinc at estimated $7.5—$9,000,000
http://instagram.com/p/n534YlMQIe/

artobserved @richardprince4's 'Nurse of Greenmeadow,' Lot 11, to auction at @christiesinc tonight at estimated $7—$9,000,000
http://instagram.com/p/n55kFuMQKm/

CarreraJ_NiépceN_PrinceR #/∞Metafractal Appropriation Ø4 LDN 2014

Idag firar vi World Photography Day! Här är världens äldsta bevarade fototografi av Nicéphore Niépce, 1826.
https://mobile.twitter.com/Fotografiska/status/369445670794428416/

Richard Prince inspires Christie’s Instagram sale
Untitled (Cowboy) (1989) by Richard Prince. One of his Cowboy works features in the sale
http://uk.phaidon.com/agenda/art/articles/2014/march/27/richard-prince-inspires-christie-s-instagram-sale/

AdamsE_CarreraJ_LinfieldS_SontagS_UtN #/∞Metafractal Appropriation Ø4 LDN 2014

SUSAN SONTAG: “Speech and Inteview at Wellesley College (1975)

June 8, 1972 @ Nick Ut. Excerpt from a speech delivered at a Wellesley College photographic symposium on April 21, 1975. I am a writer and a filmmaker. I don’t consider myself a critic, and I am above all not a critic of photography. But it’s from that strictly independent and freelance position that I […]

http://americansuburbx.com/?s=sontag&submit=Search

SUSIE LINFIELD: “An Excerpt from ‘The Cruel Radiance, Photography and Political Violence’” (2010)

Eddie Adams, Saigon Execution, Vietnam, 1968. A Little History of Photography Criticism; or, Why Do Photography Critics Hate Photography? (An excerpt from The Cruel Radiance, Photography and Political Violence) By Susie Linfield In 1846, Charles Baudelaire wrote a short essay called “What Is the Good of Criticism?” This is something that virtually every critic asks […]

http://americansuburbx.com/?s=susie+lingfield&submit=Search

CarreraJ_PrinceR_RosenthalJ #/∞ Metafractal Appropriation Ø4 LDN 2014

Richard Prince inspires Christie’s Instagram sale
Untitled (Cowboy) (1989) by Richard Prince. One of his Cowboy works features in the sale

http://uk.phaidon.com/agenda/art/articles/2014/march/27/richard-prince-inspires-christie-s-instagram-sale/

Members of the United States Marine Corps raise the American flag on Mount Suribachi on February 23, 1945 after the Battle of Iwo Jima, one of the most costly battles of the Pacific campaign during World War II. More than 6,000 United States Marines fell during the capture of the island.
Joe Rosenthal
Location:Iwo Jima, Tokyo, Japan
Credit:© CORBIS
Licence Type:Rights Managed (RM)

http://www.corbisimages.com/stock-photo/rights-managed/NA001256/marines-raising-american-flag-on-iwo-jima/

Archizoom_CarreraJ_ SongZ #/∞ Metafractal Appropriation Ø3 LDN 2014

Archizoom, Condominium for Historic Center, 1969
http://archiveofaffinities.tumblr.com/tagged/archizoom/

Ziwei Song‘s Skyvillage, LA, 21c.

http://www.psfk.com/2014/03/the-pollution-cleaning-floating-village-that-could-be-built-above-la-freeways.html/

CarreraJ_ FeiningerA_KahloF_KahloG #/∞ Metafractal Appropriation Ø3 LDN 2014

MOLAA FRIDA KAHLO, HER PHOTOS March 15 — June 8, 2014 "Frida Kahlo," by Guillermo Kahlo, 1932
http://www.molaa.com/Art/Exhibitions/upcoming-exhibitions/Frida-Kahlo--Her-Photos.aspx/

ATLAS GALLERY Collected Works 7 Mar—26 Apr ANDREAS FEININGER The Photojournalist,1955 (p.1992)
http://www.atlasgallery.com/

CarreraJ_FreelandTH_SubotzkyM_ WaterhouseP #/∞Metafractal Appropriation Ø3 LDN 2014

MOVING IMAGE NY
6—9 March 2014
http://www.moving-image.info/new-york/
TESSA HUGHES—FREELAND
Nymphomania, 1993. single-channel video
http://t.co/mhx8DpN1kp

LE BAL
PONTE CITY
Exposition au 20 Avr
http://www.le-bal.fr/
Michael Subotzky Patrick Waterhouse, Ponte City 2008/13
http://t.co/qenUKaT9gg

http://phototechne.tumblr.com/post/78958212750/anemicr-carreraj-freelandth-hammann

CarreraJ_MorrellA_NaderZ #/∞ Metafractal Appropriation Ø2 LDN 2014

Zach Nader
optional features shown, 2012
http://www.moving-image.info/artist-zach-nader/

Microscope Gallery Brooklyn NY
www.microscopegallery.com

Abelardo Morell (American, b.1948)
Camera Obscura Image of the Brooklyn Bridge in Bedroom, 1997
http://www.artnet.com/auctions/artists/abelardo-morell/camera-obscura-image-of-the-brooklyn-bridge-in-bedroom/

AvetaH_CarreraJ_NiépceN #/∞ Metafractal Appropriation Ø2 LDN 2014

Hugo Aveta “Untitled #3 — Ritmos primarios, la subversiòn del alma”, 2013
http://nextlevelgalerie.com/en/artistes/oeuvres/1138/hugo-aveta/

Idag firar vi World Photography Day! Här är världens äldsta bevarade fototografi av Nicéphore Niépce, 1826.
https://mobile.twitter.com/Fotografiska/status/369445670794428416/

CarreraJ_DaVinciL_HughesR #/∞ Metafractal Appropriation Quadtych Ø2 LDN 2014

https://www.youtube.com/watch?v=ISowhGz5wnk&feature=youtube_gdata_player

https://www.youtube.com/watch?v=0iffdvalbJI&feature=youtube_gdata_player

http://www.youtube.com/watch?v=JANhr4n4bac&desktop_uri=%2Fwatch%3Fv%3DJANhr4n4bac

http://www.thefreedictionary.com/_/dict.aspx?rd=1&word=facsimile

AlbertiLB_CarreraJ_ColabellaE_PillsburyM #/∞ Metafractal Appropriation Ø1 LDN 2014

CITY STAGES, PHOTOGRAPHS BY MATTHEW PILLSBURY
Feb 20, 2014 — Mar 27, 2014
Matthew Pillsbury
La Joconde, Salle des Etats, Musée du Louvre, Paris, 2008
@ Matthew Pillsbury / Aperture Gallery / Bonni Benrubi Gallery, New York
http://www.parisphoto.com/agenda/matthew-pillsbury/

Identity, a double vision in a generative process
Prof. Enrica Colabella, architect
La Città Ideale, tavola di Urbino, Leon Battista Alberti.
http://www.generativedesign.com/asialink/de23.htm

AlbertiLB_CarreraJ_ColabellaE_MiesVderRoheL #/∞ Metafractal Appropriation Ø1 LDN 2014

https://www.facebook.com/notes/mies-van-der-rohe/the-seagram-building-20th-century-masterpiece/10150223880816226/

Identity, a double vision in a generative process
Prof. Enrica Colabella, architect
La Città Ideale, tavola di Urbino, Leon Battista Alberti.
http://www.generativedesign.com/asialink/de23.htm

BassR_CarreraJ_RickardD_TrivierM #/∞ Metafractal Appropriation Ø1 LDN 2014

PIER 24 PHOTOGRAPHY INTERVIEWS DOUG RICKARD: A New American Picture
http://www.pier24.org/programs/videos.html/

http://www.parisphoto.com/losangeles/news/pier-24-photography-interviews-doug-rickard/

MARC TRIVIER
Marc Trivier, Rick Bass, 2010—2011
@Marc Trivier & Galerie Bernard Bouche, Paris
http://www.parisphoto.com/agenda/bernard-bouche/

BoettiA_CarreraJ_PetersA #/∞ Metafractal Appropriation Ø1 LDN 2014

SPRÜTH MAGERS BERLIN LONDON
ALIGHIERO BOETTI, MAPPA, 1989
EMBROIDERY ON CANVAS, 115 x 215 cm

http://spruethmagers.com/artists/alighiero_boetti/

http://ucatlas.ucsc.edu/projection/projections.html/

http://www.learnnc.org/lp/editions/mapping/6434/

CarreraJ_KlumH_MarxK #/∞ Metafractal Appropriation Ø1 LDN 2014

Heidi Klum, Say hello to Karl Marx
http://asianmalerevolutions.com/remember/ii-the-appropriation-of-multiculturalism/

Google Glass: A Private Eye?
http://www.searchlaboratory.com/blog/2013/07/google-glass-a-private-eye/

BuñuelL_CarreraJ CoutinhoFF_DebordG_ DeneuveC_KesselJ #/∞Metafractal Appropriation Ø1 LDN 2014

Belle de Jour: a look at how Buñuel influenced Mexican and French cinema.
Filipe F. Coutinho.
http://www.cinemaismylife.com/2012/03/belle-de-jour-look-on-how-bunuel.html

Guy Debord. La société du spectacle.
Trans. Donald Nicholson-Smith.
Publisher Buchet-Chastel (Original French); Zone Books (English Translation)
Publication date,1967.

CarreraJ_DebordG_ShermanC #/∞ Metafractal Appropriation Diptych Ø1 LDN 2014

Codex is the title of an exhibition-manifesto conceived by Pierre Leguillon during a residency in San Francisco.
Cindy Sherman, Untitled Film Still No.13, 1978. Courtesy of the Artist and Metro Pictures, NY.
http://www.wattis.org/exhibitions/codex/

Guy Debord. La société du spectacle.
Trans. Donald Nicholson-Smith.
Publisher Buchet-Chastel (Original French); Zone Books (English Translation)
Publication date,1967.

Artefiera_BurtynskyE_CarreraJ #/∞ Metafractal Appropriation Ø1 LDN 2014

INTERVIEW: “Manufactured Landscapes: An Interview with Ed Burtynsky” (2006)
http://www.americansuburbx.com/2009/05/interview-manufactured-landscapes.html

24/27 GENNAIO 2014
FIERA INTERNAZIONALE D’ARTE MODERNA E CONTEMPORANEA
http://www.artefiera.bolognafiere.it/home/776.html

BuñuelL_CarreraJ_CoutinhoFF_DeneuveC_ DuchampM_KesselJ #/∞Metafractal Appropriation Ø1 LDN 2014

Marcel Duchamp, Interior view of Etant donnés: 1° la chute d’eau / 2° le gaz d’éclairage (Given: 1. The Waterfall /2. The Illuminating Gas), 1946-1966
© 2000 Succession Marcel Duchamp ARS, N.Y./ADAGP, Paris.

Belle de Jour: a look at how Buñuel influenced Mexican and French cinema.
Filipe F. Coutinho.
http://www.cinemaismylife.com/2012/03/belle-de-jour-look-on-how-bunuel.html/

CarreraJ_GreeneJ_GreeneM_SparaganaJ #/∞ Metafractal Appropriation Ø1 LDN 2014

Marilyn huge 46 x 35 inch silver on flat black silkscreen print of one of the 1956 photographs from the “Black Sitting.” These were produced by Milton and Joshua Greene ca. 1974.

John Sparagana, Crowds & Powder: Kennedy Brothers 1, 2012. Fatigued magazine pages with oil stick, sliced and mixed, on paper. 20 x 31 3/4 inches.

BaudrillardJ_CarreraJ_GarcíaL_GombrichEH_VelázquezD #/∞ Metafractal Appropriation Ø7 LDN 2013

Baudrillard, Jean. Simulations, trans. Foss.P, Patton.P & Beitchman.P. Cambridge, Mass. : The MIT Press, 1983.

Gombrich, E.H. The Story of Art. London: Phaidon, 1950. p. frontpiece.
Velázquez, Diego Rodríguez de Silva. Las Meninas, 1656. Madrid: Museo del Padro.

Print Credit: Lilaya García